Doreen Fletcher’s Exhibition

Just over six months ago, I introduced you to Doreen Fletcher’s paintings in these pages and I am thrilled to announce that – thanks to the extraordinary positive response by you, the readers of Spitalfields Life – Doreen’s first solo exhibition of these works opens next Friday 10th June at Townhouse, 5 Fournier St, Spitalfields, and runs until 26th June.

Hairdresser, Ben Jonson Rd, 2001

It is my pleasure to publish this selection of the remarkable paintings and drawings created by Doreen Fletcher in the East End between 1983 and 2003.

“I was discouraged by the lack of interest,” admitted Doreen to me plainly, explaining why she gave up after twenty years of doing this work. For the past decade, all these pictures have sat in Doreen’s attic until I persuaded her to take them out and let me photograph them for publication here.

Doreen came to the East End in 1983 from West London. “My marriage broke up and I met someone new who lived in Clemence St, E14,” she revealed, “it was like another world in those days.” Yet Doreen immediately warmed to her new home and felt inspired to paint. “I loved the light, it seemed so sharp and clear in the East End, and it reminded me of the working class streets in the Midlands where I grew up,” she confided to me, “It disturbed me to see these shops and pubs closing and being boarded up, so I thought, ‘I must make a record of this,’ and it gave me a purpose.”

For twenty years, Doreen conscientiously sent off transparencies of her pictures to galleries, magazines and competitions, only to receive universal rejection. As a consequence, she forsook her artwork entirely in 2003 and took a managerial job, and did no painting for the next ten years. But eventually, Doreen had enough of this too and has recently rediscovered her exceptional forgotten talent.

Many of Doreen’s pictures exist as the only record of places that have long gone and I publish her work in the hope that she will receive the recognition she deserves, not just for outstanding quality of her painting but also for her brave perseverance in pursuing her clear-eyed vision of the East End in spite of the lack of any interest or support.